Miloš Jurišić's Exhibition of Photographies


The Endless Blue


24.may - 7. jun 2007.
Terazije 26 - Belgrade


International Cultural Center - YUBIN



An artist's desire to achieve a complete expression of his inner life is irrepressible and boundless. As much as the road of purification of visual expression from the realistic to the abstract is well known, often seen, and thus not very unexpected, a perplexing metamorphosis occurs in the experimental and contemplative development of Milos Jurisic. Suddenly, but not forever, abandoning his lifelong muse the architecture of Belgrade the maestro immerses himself in the blue beginnings of the world, of prenatal growth, seeing it with the eyes of his own dreams.
At the same time, walking the road towards the expected, inexorable ending, through boundless circles he metaphysically joins the beginning and the end. Thus he points to the essential and exciting perception of the radiant, blue light of eternal being, awash in happiness.
In the artist' s new cycle, layers of experience formed by searching for catharsis, are not interwoven and do not cross each other; rather, they are synthetically crystallized in the unconscious remembrazznce of life before life and the conscious penetration into life after life. In the obscure striving for a solution, circles frame each other, at times dissolving into a four-leaf clover, signifying eternal joyous belief, at others overflowing into the green breath of life. They are then symbolically crucified on the road to temporary disappearance; they flow into a silent shadow, echoing an earlier existence.
It only appears that the maestro is led by intuition, when a cube, a vase, a bottle of perfume become objects of his eye' s and camera' s lens their glassy, translucent fluidity ethereal in itself. If this wondrously experimental game seems accidental, it is only superficially so. For Jurisic immerses himself in the blue, deep sea of life only to rise again into the philosophical resurrection of a new form of being, an essential journey in continuo.
Inspired visions and vertiginous motions in the ecstatic blue circles create a belief in the inception which is also an ending. The touch of water drops the beginning a striving for eternal being erases presentiments of the end.
Although colour reigns supreme in Milos Jurisic' s newest photographic achievements, its sensuality does not push other elements into the background. The unique deep sea blue merges with the geometrically abstract composition, its pigment helping the maestro to paint an ode to life which vaguely reminds us of The Ascent to light of Hieronymus Bosch.

Adela Magdić Siber





Fathomless Blue

Although the reflections of the sky caught in the mirror of the water have always been disturbing for painters - rewarding only those most patient ones, the azure photographs of Miloš Jurišić are signified as calming - disturbing ballads, through which memory flows away into the Blue Vastnesses of the origin.
To say that they are hypnotic, to admit that, with their magic of foreshadowed silence, they invite to a dream which is hard to abandon - is too much and too little.
From that other, for a long time primary - aquatorial dimension, Miloš Jurišić seems to bespeak....it is and it is not, The Fallen Being - The Shadow of the Observer - called towards the Sky...

d.i.a. Aleksandra Mokranjac

Miloš Jurišić


was born in Belgrade in 1960. where he lives and works as a photographer

Photo Exhibition: